Library Urtext Editions

Only after 1900 did this work become popular thanks to the young Pablo Casals among others, who frequently included it in his concert programs. Today it is unquestionably one of the favorite pieces among

With this one-movement Concertino, Oskar Rieding turns to already advanced students of the violin. Aside from playing in third position, it also requires a considerable degree of dexterity and mastery of

Edited by Dominik Rahmer. For French horn & piano reduction. Piano reduction by Johannes Umbreit. Urtext Edition. Preface in Ger., Fr. and Eng. Contains critical notes. Parts included for horn in E and

Rieding's short concert pieces for violin and piano, written at the start of the twentieth century especially for beginners on the instrument, have maintained their place in lessons and class recitals.

Following Dittersdorf and Hoffmeister, Johann Baptist Vanhal and his sole double-bass concerto add a further highlight to the classical bass literature in Henle's catalog. The virtuoso work was transmitted

Edited by Dominik Rahmer. For viola & piano. Urtext Edition. Preface in Ger., Fr. and Eng. Includes critical

For viola & piano. First Urtext Edition. Preface by Marie Cornaz in Ger., Fr. and Eng. Includes marked and unmarked

The circumstances in which these poetic Soiree Pieces (thus their original title) came into being are quite surprising. In 1949, Dresden was seized by violent political turmoil that

Carl Nielsen's Fantasy Pieces for oboe and piano were composed in 1889/90. Having just gained a position as a violinist in the Royal Danish Orchestra, Nielsen had already experienced success with

With his first horn concerto, the merely eighteen-year-old Richard Strauss succeeded in producing a captivating masterstroke. To this day, the concerto is beloved throughout the world (not only) by horn

Kol Nidrei numbers among Max Bruch's most famous compositions. The melancholy "Adagio after Hebrew melodies" was written in 1880 for the cellist Robert Hausmann. It sings two old Jewish songs using

Alexandre Guilmant was one of the greatest representatives of the French Romantic organ school, and composed almost exclusively for his instrument. A rare exception is this Morceau symphonique,

Edited by Dominik Rahmer. For French horn & piano. Urtext Edition. Preface in Ger., Fr. and Eng. Includes critical commentary. score, 16 p. and part.

As a composer, Alexander Glazunov was as at home in the late Romantic symphony as he was in chamber music forms. His shorter solo pieces impress on account of their enchanting melodies and their attention

The Romance for a melodic instrument and piano was a very popular genre in French salon music of the nineteenth century. Saint-Saens also wrote several such pieces for violin, cello, and horn. His only

Edited by Claus Kanngiesser, Rupert Marshall-Luck & Rolf Koenen. For cello & piano. Urtext Edition. Preface in Ger., Fr. ... view details

Immediately after finishing his second Violin Sonata op. 108, Faure started work on a sonata for cello and piano in early 1917, thus realizing a long-conceived plan. In their predisposition and attitude,

Edited by Peter Jost. For cello & piano. Urtext Edition. This is the first Urtext-Critical edition of the work and offers cellists a chance to rediscover this composition. Preface in Ger., Fr. and

Edited by Alexander Komarov. For violin & piano. Urtext Edition. Preface in Ger., Fr. and Eng. This edition contains an Urtext violin part, and a part marked by Ingolf Turban. Piano fingerings by